Mouthful of Birds by Samanta Schweblin

39872813._uy630_sr1200630_.jpgReading Mouthful of Birds feels like occupying some kind of hybrid world of dreams and folklore, where the subconscious masquerades as a stream of characters enacting scenes that aren’t fully coherent with reality, but every moment is vivid and visceral. The short stories are full of nightmarish scenarios, like someone auditioning to be an assassin by proving their capacity for violence, a man being held captive at a train station indefinitely because he didn’t have the correct change for a ticket, or a teenage girl who will suddenly only eat live birds. The protagonists are oblivious to the bewildering circumstances they are about to endure, and like many of us in our truest nightmares, the characters find themselves misunderstood or full of regret.

By depicting themes of violence and depression within unnervingly mundane contexts, Schweblin suggests that the real monstrosity is society’s complicity to and reaction to both of those things respectively. Violence is either glorified as art and entertainment, or glossed over as business as usual. Mental illness and depression are often poorly understood by those not suffering from it, and to witness the characters try to rationalize these conditions is heart wrenching.

As these ordinary people blunder their way through unexpected trials, Mouthful of Birds will leave readers grasping for answers.  Schweblin does not indulge in elaborations but will grip readers just enough to keep one’s mind tossing and turning with infinite interpretations.

What he felt at that moment was the complete opposite of fear—it was something close to madness, but with the absolute certainty he was taking the right step. The exciting anguish of recognizing that what one is doing will ultimately change something important.

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An Untamed State by Roxane Gay

Gay-An-Untamed-State-jacket-art-9780802122513Roxane Gay has a truly inspiring ability to write about sexual violence through the unfiltered, unapologetic voice of a survivor. In this novel, she details the unravelling of a woman after she is kidnapped for ransom in Haiti—the destruction of a woman’s body and her fundamental sense of self.

As a first generation Haitian-American, Mireille copes with the uncomfortable contrast between her family’s wealth and the poverty of a country that is both an integral part of her identity and a place she can never really understand. Throughout the book, Gay’s characters are forced to determine what physical and emotional ransoms they are willing to sacrifice for survival. The novel is also critical of Western perceptions of poorer countries but refrains from presenting readers with any simple conclusions regarding ambiguous identity politics.

It’s a heavy read, but an important one—the timeless story of the destruction of women at the hands of entitled, prideful men. The dialogue felt a bit heavy-handed at times, but I appreciated the fact that the relationships are full of the frustrations and contradictions that push us to our limits, for better or worse, when it comes to the people we love the most.

 “There is nothing you cannot do when you are no one.”

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