Originally published in Latino Book Review magazine at latinobookreview.com
In Samanta Schweblin’s Little Eyes, people around the world are delighted by a new technology bringing anonymous online relationships to a new level. Kentukis are small stuffed animals on wheels, like a robot pet—except behind their little eyes are live-streaming webcams controlled by another person connected to the device. Across languages and regions, kentuki “keepers” and “dwellers” are randomly connected when the device starts up for the first time, and people soon realize that this unique relationship is not easily navigated.
The arrival of kentukis establishes a type of hybrid being that is both gadget and human, intelligent and sentient, but with limited autonomy and ability to communicate. Schweblin’s vignettes of different pairs of kentuki users around the globe explore the full spectrum of demented outcomes when this technology is left unregulated. As kentuki users attempt to establish their ideal dynamic, whether it’s as a voyeur, a tourist in another lifestyle, a companion, a caretaker, or a star of their own reality show, the relationships devolve into obsession and emotional turmoil when issues of privacy and freedom surface.
The novel is an exploration of the artificial boundaries we perceive when we interact virtually. It is an epic thought experiment into how these anonymous actors change peoples’ concept of self-identity. The psychological highs and lows that unfold will bring readers deep into the complex lives of these thrilling devices and the power dynamics that users must negotiate.





After coming out as a lesbian to her religious, Puerto Rican family, Juliet leaves the Bronx for the first time to take on an internship with a celebrity-status, feminist author in Portland. She arrives in this alien city characterized by a subculture of “hippie white” both elated by the prospect of living and learning with her feminist hero and wounded by the rift her identity has created between her and her mother.
In the Affairs of the Falcóns, Rivero illustrates the complex politics and emotions at play within a single family trying to make their way as immigrants in a the US: the racism and classism within the Peruvian community, strained loyalties and the dissolution of marriages, children being raised as Americans but frequently reminded that they are outsiders, the economic and political regimes that cause widespread displacement, and the sacrifices people will justify in the name of love and survival.
From an outsider’s view, Wang’s identity stands apart from the common conception of someone with schizoaffective disorder—she is ivy-league educated, exceedingly well-dressed, and “high-functioning” when she is not in the grips of psychosis. After being kicked out of her university for her mental health status, Wang begins a never ending journey into a health system whose diagnoses, treatments, and policies are often at odds with her autonomy and humanity.