Hermosa by Yesika Salgado

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In the poetry collection “Hermosa”, Yesika Salgado brings forth a life in multitudes as she writes about her home of Los Angeles, lingering love, the healing power of friendship, childhood memories brought into the stark light of adulthood, complicated deaths of people who were difficult to love, the cultured gender norms in her Salvadoran family, and more. Salgado both grieves for the LA she recognizes as being deformed by gentrification while honoring her deep love for it, reveling in the anonymity of city life and her Polaroid-picture-nostalgia for its nooks and quirks.

With bright, crisp language, Salgado’s poetry is a fiery heart laid open. Each verse thrums with energy as Salgado gives space for every emotion and every detail—from heartbreak to soil tracked into the house, from long, running verses, to just a line or two that needed to be written all on their own. Salgado is a natural storyteller whose pride in all of her brilliant, flawed, and tender self truly shines through in the collection.

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…those were my favorite stories. women doing what women don’t do. I imagined all the beer I’d drink when I got older. I’d chug it down like a cold soda and burp loudly on purpose. I’d cackle big and booming. wouldn’t care when the mujeres say ¡esa nina es tremenda! instead I’d lift another beer and say ¡asi es! ¡salud!

Sabrina & Corina by Kali Fajardo-Anstine

9780525511298In this debut collection of stories, Fajardo-Anstine weaves together an exquisite tapestry of Indigenous Chicana women. Set in modern Denver as gentrification morphs the landscape into something unrecognizable, the characters navigate an unrelenting world through sheer determination and lack of any other alternative. These are stories about displacement and female relationships—about physical realities that are easily and carelessly destroyed, as well as the deep roots that persist through generations.

Fajardo-Anstine’s characters have an impressive breadth of personalities and age. They are diverse in their circumstances and yet all linked through their heritage and connection to the land. Whether the story features a little girl tasked with co-parenting a bag of sugar for a class project, or a woman recently released from prison, Fajardo-Anstine brings to life complex familial relationships with heartbreaking clarity.

While these women endure abuse, rejection, loss, and grieving, what stands out the most in these narratives is not their difficult circumstances, but the way others fail to acknowledge or respond to their suffering. On one level, Sabrina & Corina celebrates the way women persevere to hold together the shards of their broken families. But beyond the portraits of female strength, it tells another timeless story of apathy towards violence against women. By telling these stories, Fajardo-Anstine forces ugly truths into the open and gives big voices to those who have been silenced.

This book is truly a cultural gem, capturing the American West and the transformation of Colorado through the lens of its indigenous women.

I thought of all the women my family had lost, the horrible things they’d witnessed, the acts they simply endured. Sabrina had become another face in a line of tragedies that stretched back generations. And soon, when the mood hit my grandmother just right, she’d sit at her kitchen table, a Styrofoam cup of lemonade in her warped hand, and she’d tell the story of Sabrina Cordova—how men loved her too much, how little she loved herself, how in the end it killed her. The stories always ended the same, only different girls died, and I didn’t want to hear them anymore.

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Tell Me How It Ends: An Essay in Forty Questions by Valeria Luiselli

Luiselli_TellMeHow_9781566894951_1024x1024An essay in 40 questions, beginning with “Why did you come to the US? Where are your parents?”

In Tell Me How it Ends, Valeria Luiselli shares her experience as an interpreter for refugee children from Central America arriving in the United States. As she fills out the intake questionnaire with each child, she attempts the impossible task of reducing the traumas of their life into a few blank lines.

The maddeningly concise questions minimize the underlying tragedy—the fact that thousands of children with the right to political asylum, the right to a dignified life free of violence and persecution, are quickly filtered through the US legal system. Often, they are deported as “illegals” before receiving legal support or due process to obtain refugee status.

Luiselli’s work is a testament to her commitment to making these stories known and heard. Many of the questions she asks the children are unanswerable, beyond comprehension, or too sad to muster a coherent response, but the call to action for the rest of us is much clearer:

 “And perhaps the only way to grant any justice—were that even possible—is by hearing and recording those stories over and over again so that they come back, always, to haunt and shame us. Because being aware of what is happening in our era and choosing to do nothing about it has become unacceptable. Because we cannot allow ourselves to go on normalizing horror and violence. Because we can all be held accountable if something happens under our noses and we don’t dare even look.”

This book gives readers the opportunity to bear witness to the suffering of others, understand why families and children will continue to flee oppressive conditions, and hopefully inspire readers to take action against dehumanizing policies.

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“And once you’re here, you’re ready to give everything, or almost everything, to stay and play a part in the greater theater of belonging.”

The Terrible by Yrsa Daley-Ward

“Some days you can’t breathe; you know what that feels like: When you are bored at night and everything bad is loud and important take to the streets. It’s a one-time thing, this life. You’ve got to move. When in doubt, always move. Or you ain’t going to make it.”

416gpO3czjLAn autobiographical poem or a poetic autobiography, Yrsa Daley-Ward’s memoir is a testimony to the tenacity of the human spirit, its ability to contain an immense darkness and release it in waves of destruction, love, and poetry.  As a child, Yrsa and her little brother are raised partly by their strict, religious grandparents and by their single mother. As Yrsa gets older, her body becomes a “haunted unreal place”, where mental illness reigns. Her body is the source of her power as well as her fear. Her story gives voice to the chaos of sexuality, addiction, depression, and anxiety, and the potential for redemption in the form of self-expression.

 

 

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