Tell Me How It Ends: An Essay in Forty Questions by Valeria Luiselli

Luiselli_TellMeHow_9781566894951_1024x1024An essay in 40 questions, beginning with “Why did you come to the US? Where are your parents?”

In Tell Me How it Ends, Valeria Luiselli shares her experience as an interpreter for refugee children from Central America arriving in the United States. As she fills out the intake questionnaire with each child, she attempts the impossible task of reducing the traumas of their life into a few blank lines.

The maddeningly concise questions minimize the underlying tragedy—the fact that thousands of children with the right to political asylum, the right to a dignified life free of violence and persecution, are quickly filtered through the US legal system. Often, they are deported as “illegals” before receiving legal support or due process to obtain refugee status.

Luiselli’s work is a testament to her commitment to making these stories known and heard. Many of the questions she asks the children are unanswerable, beyond comprehension, or too sad to muster a coherent response, but the call to action for the rest of us is much clearer:

 “And perhaps the only way to grant any justice—were that even possible—is by hearing and recording those stories over and over again so that they come back, always, to haunt and shame us. Because being aware of what is happening in our era and choosing to do nothing about it has become unacceptable. Because we cannot allow ourselves to go on normalizing horror and violence. Because we can all be held accountable if something happens under our noses and we don’t dare even look.”

This book gives readers the opportunity to bear witness to the suffering of others, understand why families and children will continue to flee oppressive conditions, and hopefully inspire readers to take action against dehumanizing policies.

valerialuiselli-lauren-cote

“And once you’re here, you’re ready to give everything, or almost everything, to stay and play a part in the greater theater of belonging.”

Severance by Ling Ma

81A9dFqIEELCandace is an aspiring photographer who thrives on the routine of her young professional life in New York City. She navigates the city in contented anonymity and plays her part as a competent and vital cog in the mass production of Bibles for publishing clients. As an epidemic of Shen Fever threatens the global population, Candace clings to the comforts of her 9 to 5 job, while the rest of the city flees to hometowns to find family and refuge. An orphaned daughter of immigrants, Candace is on her own until she joins up with a group of survivors led by Bob—an IT guy on a power trip, looking to enact his own vision for a new society.

Severance is a satirical apocalypse story pointing to the tragedy of the infinite loops we find ourselves barely living in.  Shen Fever is the embodiment of an epidemic already deeply rooted in the global consumer society—the mindless repetition of going through the motions while our mental capacity, bodies, and self-awareness slowly deteriorate. I love Ling Ma’s wry humor and her new-age interpretation of the apocalypse wrought with disillusioned millennials and the familiar horror of the relentlessly mundane.

“When you wake up in a fictitious world, your only frame of reference is fiction.”

200063038

Eating NAFTA by Alyshia Gálvez

9780520291812Originally published on Latinobookreview.com

As Mexican food is being globally ‘elevated’ and reinterpreted/appropriated by the foodie elite, Mexico has seen a simultaneous rise in obesity and diabetes as access to traditional food is drastically hindered as a result of the North American Free Trade Agreement. Eating NAFTA is an investigation of the rise of industrial food systems in Mexico and the ways that governments have decentered the state’s responsibility to protect public health, while deflecting the blame and responsibility for health problems onto individuals, especially women and marginalized populations.

Gálvez switches between personal interviews and macro-level policies as she discusses everything from migration, the role of nostalgia in food consumption patterns, the burden of labor for women, and why the public health crisis in Mexico is not just an unintended consequence of NAFTA.

Since NAFTA was signed in 1994, diabetes has become the leading cause of death in Mexico, with a prevalence of almost 16% of the population. 42% of its food is imported, and poverty (55.1%) and inequality have increased. Gálvez calls out diabetes and diet-related illness as an example of structural violence enabled by continued state-led manipulation.

“Colonialism’s extraction of raw materials and resources provided the fodder for the machines of industrialization. In the post- or neocolonial world, parasitic relationships between former colonial powers and territories continue to organize global trade and economic relationships. Only because of the relationship of economic and political dependence between center and periphery could the center become wealthy enough to dominate the global economy.”

 

alyshia-galvez-photo

Everything’s Trash, but it’s Okay by Phoebe Robinson

9780525534143

In her distinctive comedic style, Phoebe Robinson’s essay collection gives us her perspective on how our society has fallen into a state of absolute trash, while also pointing out some things that are not trash.

Examples of trash: mistreatment of women of color in male-dominated career fields, the failures of non-intersectional feminism, trying to find a life partner via dating apps, fake pockets and tiny pockets in pants.

Despite living in a world where we are inundated with reminders of our failure to achieve a level of mutual respect and tolerance of one another, Robinson reminds us all of two crucial things. Firstly, to take a critical look at how we participate in a toxic patriarchy. Secondly, to laugh and find humor in the midst of all the trash. Robinson speaks candidly about some of her personal low points and models the ways that we can leverage hurtful experiences to participate in positive change. She talks about serious issues with comic relief and a desire to not just make people laugh, but also encourage readers to engage with moments of discomfort and shame in a meaningful way.

If you’ve listened to Robinson on one of her podcasts, 2 Dope Queens or Sooo Many White Guys, her book induces an equal amount of laughing out loud and affirmative snaps.

My favorite excerpt from the book, Phoebe’s tough-love pep talk to feminism:

“Feminism, you honestly just have to do better. I know you’ve heard this a million times and a million ways, but you have to figure it the fuck out and do better. Yes, you. The onus is not on those you’ve consistently excluded to fix this. And trust me, it needs fixing, and I’m not talking about relying on repeating the same “remedies” of the past. Meaning, I don’t need the sorries. I’m not interested in the #NotAllWomen defense. I have no desire to engage with your expression of guilt as a sign that the state of things bothers you. Show us it bothers you by behaving differently. Act as if you understand that inclusiveness is what feminism should have been about since day one. And not because you’re hoping you’re going to get a pat on the back for doing what you should’ve done in the first place. Okay? …Give me something to root for. Give me and all women of color, queer women, trans women, lower-class women, something to root for. Most importantly, give us love, because while you’ve been hard on us, the love has been in very short supply. Give us the love we deserve and we’ll root for you forever.”

anc_comedy-tnk-phoebe_robinson-magnum.jpg

Shame is an Ocean I Swim Across by Mary Lambert

41BX3lTQjAL._SX316_BO1,204,203,200_

In this collection of poetry, Mary Lambert lays her heart bare as she writes about navigating love, artistry, and healing as a survivor of sexual violence. Not exactly a light read, her poems are the kind that poke at your insides like acupuncture for the soul. There is a dark playfulness to some of her poems, and the emotional tone oscillates between redemption and sorrow in that bewildering way we tend to experience them in real life. I’m thankful for women like Mary Lambert who give strength to us all by speaking up in a world where shame fosters silence and increasing isolation.

 

“I once touched a tree with charred limbs

The stump was still breathing

But the tops were just ashy remains

I wonder what it’s like to come back from that”

 

Mary-Lambert-12